Web26 nov. 2024 · "When it was originally published in 1991, Feminine Endings was immediately controversial for its unprecedented intermingling of cultural criticism and … Web12 McClary, Feminine Endings, 137–138; Barbara Bradby, "Sampling Sexuality: Gender, Technology and the Body in Dance Music," Popular Music 12:2 (May 1993): 156–157. 13 Or, as Theodore Gracyk has argued in the context of rock, which is "a system of music making and distribution that has been commercial since its inception, the line between …
Feminine Endings: Music, Gender, and Sexuality pdf free
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WebSusan McClary - Feminine Endings (1991) 2 Sourced Quotes. View all Susan McClary Quotes. Source; Report... Tonality itself - with its process of instilling expectations and … Web11 nov. 2008 · Feminine Endings: Music, Gender and Sexuality. By Susan McClary. Minnesota: University of Minnesota, 1991. 220 pp. - Cosi? Sexual Politics in Mozart's … Web23 jun. 2009 · Here we meet McClary the feminist critic and proponent of direct social action—the persona, in part assumed and in part attributed, that for a long time defined her (and thus limited her) within the spectrum of musicological practice, particularly in the 1990s in the wake of Feminine Endings: Music, Gender, and Sexuality (Minneapolis, 1991), … px022anm